Acme Studios, supporting art and artists since 1972
 
 

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Candice Jacobs, Milou van der Maaden, Isa Melsheimer & Rachel Pimm

‘Planta: Notes on Botanical Dissidence’ 8.5.2015 - 24.5.2015

 
Milou van der Maaden, Tell it to the plants (work in progress), 2015
Milou van der Maaden, Tell it to the plants (work in progress), 2015
 
 

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Thursday to Sunday 1pm to 6pm

Private View: Thursday 7 May, 6pm to 9pm

In partnership with Acme Studios, students from the Curating Contemporary Art MA present Planta: Notes on Botanical Dissidence at the Acme Project Space, as part of an ongoing partnership between the Royal College of Art and Acme Studios Residency & Awards Programme.

Premised on the investigative model of note-taking, the group show is an exploration into the conceptual potential of plants, often silently present but frequently neglected in the overarching discourses of history. The exhibition includes work by Candice Jacobs, Milou van der Maaden, Isa Melsheimer and Rachel Pimm.

In bringing together the work of these artists, the show suggests ways in which ‘plant processes, as well as vegetal images and metaphors,’ could, in the words of philosopher Michael Marder, begin to ‘exert a formative influence on thinking.’ 

The work of Milou van der Maaden, recipient of Acme’s Adrian Carruthers Studio Award, was a catalyst for the show’s theme; plants are both props and prompts in her pieces, linking the ‘here’ of the artwork with the ‘elsewhere’ of the complex legacies of the Dutch-Indonesian colonial past. Her new work "Tell it to the plants" (2015), especially commissioned for this exhibition, addresses the parallels between the botanical and human body, instrumentalised by science at the service of intelligence forces.

Starting in botanical gardens across Europe, Isa Melsheimer retraces the journey of plants across oceans. Her multi-media research investigates the shift in plants’ value from ‘green gold’ during the colonial age to their banalisation as contemporary commodities. Mobility and rootedness are addressed differently by Rachel Pimm, in a deadpan commentary of plants as post-colonial symbols of affluence. Through her films on corporate green-washing, Pimm considers the boundaries between the natural and the artificial. Corporate environments are also alluded to in a series of prints by Candice Jacobs, which explores the aesthetic codes of plants in the workplace.

An event on Thursday, May 14, How to breathe and feel with plants? will include a presentation at 6:30pm by Michael Marder, Research Professor of Philosophy at the University of the Basque Country, on a book co-authored with Luce Irigaray. The talk will be followed by a discussion with artists Milou van der Maaden and Rachel Pimm.

Curated by Inês Geraldes Cardoso, Grace Storey.

 
 
 

Directions

Acme Project Space

44 Bonner Road
London
E2 9JS
T
020 8981 6811
F 020 8983 0567
E mail@acme.org.uk

Acme Project Space is located in the heart of East London's gallery district, around the corner from The Approach and a short walk from Vyner Street. The venue is well served by public transport:

  • Underground - Bethnal Green (Central Line)
  • Train - Cambridge Heath
  • Bus - D3 & 309
  • Car - On street pay and display parking (unrestricted at weekends)

 

Journey Planner

Information

The Acme Project Space provides an opportunity for those artists who are part of our Residency & Awards Programme and our International Residencies Programme with a public space within which to develop projects, show new work and engage in a critical dialogue with a wider audience.

The programme of projects and exhibitions is developed in collaboration with those individual artists, who have already been through a selection process and aims to highlight the benefit artists gain from this support. The Acme Project Space therefore, is not currently able to accept unsolicited exhibition proposals from other artists.

Access and facilities

There is level and ramped access throughout the Acme Project Space. All printed material is available in a range of formats, please contact mail@acme.org.uk or 020 8981 6811 for further information. There are no public toilet facilities on site.

 

Upcoming

Lydia Davies, Chris Ifould, Piotr Krzymowski, Sean Lavelle, Asta Meldal Lynge, Cameron Scott, Tilly Shiner & Nikhil Vettukattil

‘Juice’ 5.6.2015 - 28.6.2015

 
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Thursday to Sunday 1pm to 6pm (18 - 21 June, sunset - midnight)

Opening: Thursday 25 June, 6pm to 9pm

Recent work from eight artists On the Central Saint Martins Associate Studio Programme.

 
 
 
 

Previous

Duncan Pickstock

‘Are we there yet?’ 26.3.2015 - 26.4.2015

 
Duncan Pickstock, Picture 1/15, 2014, 160cm x 180cm
Duncan Pickstock, Picture 1/15, 2014, 160cm x 180cm
Duncan Pickstock, Painting 4/5, 2015, 145cms X 145cms
Duncan Pickstock, Painting 2/5, 2015, 145cms X 145cms
Duncan Pickstock, Painting 7/4, 2014, 150cms X 160cms
Duncan Pickstock, Painting 3/5, 2015, 145cms X 155cms
 
 

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Thursday to Sunday 1pm to 6pm

Private View: Thursday 2 April, 6pm to 9pm

Duncan Pickstock, the inaugural recipient of the Rita Harris Studio Award, presents a solo exhibition of paintings made during his year on the award.

Pickstock’s large-scale paintings are an attempt to move on, to move forward and closer to a state of resolve, towards a harmonious conclusion, that is always the goal but one that he accepts is unachievable. Painting is then a journey for Pickstock, a journey that the artist sets out on knowing that the destination, this arrival at a state of resolution, will never be reached.

Despite this, and along the way, the paintings through their juxtapositioning of form, construction and layers of colour and chiaroscuro, maintain a sense of place or shelter that ultimately reassures the viewer that no matter how aspirational the journey might be, the desire to survive is the greater force in answering the visual and vital questions each painting poses.

Pickstock’s investigation often encompasses a preoccupation with layers of paint and how the application and the removal of paint, to and from the canvas, can alter the viewer’s perception of depth, distance and dimension. Through these formal tools Pickstock explores the tension that exists between something that is neither representational nor abstract; that refers to elements of the world around us but refuses to illustrate them.

Accompanying full colour catalogue, with essay written by Paul O' Kane (Artist, Writer & Lecturer) will be available. Designed, printed and supported by Tom Clark and Printhouse Corporation.

Duncan Pickstock is the first recipient of the Rita Harris Studio Award. The award commemorates the life and work of Rita Harris who died in 2013. Rita was an artist and a master of T’ai Chi, which she taught for over 20 years. She was married to Jonathan Harvey, Acme’s Chief Executive and co-founder. She worked with Jonathan at The Acme Gallery (1976-1981) in Covent Garden.

The biennial award, which alternates with the Jessica Wilkes Studio Award, is supported by Jonathan, Acme, friends and family. It provides an artist with a free studio to enable them to devote more of their time to their studio practice. Worth £10,000, the award is made to an artist selected from applications from current Acme studio holders.

 
 

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  • Acme Studios
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  • E3 4RR
  • T +44 (0)20 8981 6811
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National Housing Federation member | NFASP member | Supported using public funding by Arts Council England

Between 1996 and 2012 Acme received £3.2m of capital funding from Arts Council England which supported the creation of six permanent affordable studios in London: Copperfield Road, Fire Station, Galleria, Harrow Road, Leven Road and Matchmakers Wharf. This resulted in 186 studios and 12 work/live units in four London boroughs.