Maaike Anne Stevens
‘Black Sea’ 21.3.2014 - 20.4.2014
Thursdays to Sunday, 1pm to 6pm
Black Sea is an exhibition of new work by Maaike Anne Stevens at the Acme Project Space. Utilising moving image, text, print and sculptural forms, Maaike creates a friction between time and events, both real and supposed. The port city of Odessa, on the Black Sea acts as a point of enquiry for Maaike who has spent a period of time researching the rich synthesis of historical events and narratives that surround the sea and the city. The resulting work acts as an exploration of the transitional state between personal drives and appropriated behavioural patterns, set within a landscape marked by Facebook posts and age-old rocks.
Maaike Anne Stevens was the recipient of the Chadwell Studio Award 2012-13 and has continued to be supported by the award during 2013/14. The award aims to provide a bridge between art school and practice as a professional artist and works with different institutions each year. It provides a rent free studio for a year, a bursary of £5,000 and the opportunity for on-going dialogue and critical feedback with other professional artists and curators. Maaike graduated from Goldsmiths in 2012 and during the award has executed works with Jealous Gallery London and the London Print Studio as well as a major public art commission in central London to be completed in 2015.
Sarah Duffy and Maaike Anne Stevens
‘DELVE’ 9.5.2014 - 25.5.2014
Curated by Sofia Akram, Jintaeg Jang, Hena Lee, Jane Scarth and Yingting Xie
Thursdays to Sunday, 1pm to 6pm
Private view: Thursday 8 May 2014, 6pm to 9pm
DELVE is an exhibition that interrogates and rethinks the nature of artistic research. Approaching the exhibition as a process and focussing on the research-based practice of the artist and in turn the practice-based research of the curator, students from the RCA’s Curating Contemporary Art MA programme seek to address the discourse around this field.
What is unique about artistic research? Working intimately with two Acme residency artists, Sarah Duffy (Goldsmiths MFA Fine Art Studio Award) and Maaike Anne Stevens (Chadwell Award), the team of five curators have developed a methodological approach to this proposition. Developed through a series of conversations with the artists, the exhibition concept is based on three core principles of what research is and how it is conducted. DELVE looks at how the research process is enacted through making, through social interaction and through observation.
Considering it as part of the making process, both Duffy and Stevens will be presenting new works in DELVE, partially based on revisiting strands of research unrealised from previous projects. Duffy will be exhibiting elements of her ongoing project Come On In, bringing together research as diverse as ventriloquism, cave diving and Marilyn Monroe. Stevens will present new work drawn out of research undertaken in and about the city of Odessa, the basis for her current solo show at the Acme Project Space entitled Black Sea.
A series of on-going negotiations with the artists and an experimental approach will culminate as part of the display at Acme Project Space. The team of curators consider what material and immaterial objects are observed by the artists to constitute their research. Generated through exchange between curators and artists, DELVE will display the resulting references and sources.
Acme Project Space
44 Bonner Road
T 020 8981 6811
F 020 8983 0567
Acme Project Space is located in the heart of East London's gallery district, around the corner from The Approach and a short walk from Vyner Street. The venue is well served by public transport (see map on right):
- Underground - Bethnal Green (Central Line)
- Train - Cambridge Heath
- Bus - D3 & 309
- Car - On street pay and display parking (unrestricted at weekends)
The Acme Project Space provides an opportunity for those artists who are part of our Residency & Awards Programme and our International Residencies Programme with a public space within which to develop projects, show new work and engage in a critical dialogue with a wider audience.
The programme of projects and exhibitions is developed in collaboration with those individual artists, who have already been through a selection process and aims to highlight the benefit artists gain from this support. The Acme Project Space therefore, is not currently able to accept unsolicited exhibition proposals from other artists.
Access and facilities
There is level and ramped access throughout the Acme Project Space. All printed material is available in a range of formats, please contact email@example.com or 020 8981 6811 for further information. There are no public toilet facilities on site.
‘how permanent is permanent’ 20.2.2014 - 2.3.2014
Thursdays to Sunday, 1pm to 6pm
Private view: Thursday 20 February 2014, 6pm to 8pm
Current recipient of the Conseil des arts et des lettres du Québec (CALQ) six month London studio residency, Sophie Jodoin, will be exhibiting a minimalist installation of works created and selected for the Acme Project Space.
This new series of annotated found book pages, works on paper, photographs, and a large scale charcoal and pastel drawing of an immense boulder, presents quiet investigations into time and stillness. The disparate elements cohere in an austere set of voices and an ambiguous visual narrative. Each work functions as a word pulled into a complex foreboding repository of loss and memories.
Sophie Jodoin's series of drawings frequently serve as the starting point for installations involving collage, painting, found objects and video. Her works have been exhibited internationally in artist-run spaces, private and public galleries, museums and art fairs, and can be seen in the current issues of two periodicals dedicated to drawing: Berlin-based FUKT, and Montreal's HB magazine. Her collaborative projects include published novels, dramatic works and poetry. This is Sophie Jodoin’s first public solo in the UK. She lives and works in Montreal.
The artist would like to gratefully acknowledge the support of the Conseil des arts et des lettres du Québec.
- Sophie Jodoin — “how permanent is permanent” (20 Feb 2014)
- Virginia Bradley — “Jeopardy” (5 Dec 2013)
- Various — “Postcard From My Studio” (4 Oct 2013)
- Ninna Bohn Pedersen — “Perforations” (19 Sep 2013)
- Rhonda Weppler and Trevor Mahovsky — “Rhonda Weppler and Trevor Mahovsky” (1 Aug 2013)
- Mathieu Beauséjour — “To Be Governed” (12 Jul 2013)
- Ben Cove — “Vernacular Hangover” (7 Jun 2013)
- Ninna Bohn Pedersen, Rafał Zajko and guests — “Adjacent Practice Colliding Daily” (8 May 2013)
- Peter Burgess — “Bryant and May . . . and” (28 Mar 2013)
- Tiffany Parbs and Greg Fullerton — “Gloss” (14 Feb 2013)
- Craig Leonard — “Finesse” (7 Feb 2013)
- Roger Kite — “Pathways” (17 Nov 2012)
- Joss Cole — “What's Outside the Window?” (25 Oct 2012)
- Luke McCreadie — “Blob-content” (5 Oct 2012)
- Kate Atkin — “Like A Stone” (6 Sep 2012)
- Anna Moderato — “In Use” (22 Jun 2012)
- George Charman — “Once Again And Always New” (5 May 2012)
- Vishwa Shroff — “One eye! Two eyes! Three eyes!” (1 Mar 2012)
- Helen Johnson — “Dead Metaphor” (26 Jan 2012)
- Andro Semeiko — “Lily of Blythenhale” (11 Nov 2011)
- Rose Davey and Sarah Poots — “Rose Davey and Sarah Poots” (8 Oct 2011)
- Hagen Betzweiser & Sue Corke — “101 Harmless Scientific Experiments To Try At Home” (11 Aug 2011)
- Tom Polo — “Disappointed with many people and things” (7 Jul 2011)
- Briony Anderson / Paul McGee, George Charman, Amy Gee, Adam Knight, Haroon Mirza, Emma Smith, K. Yoland — “Sum Parts” (10 Jun 2011)
- Nedregard & Hillary — “Entrances” (6 May 2011)
- Jan Hendrickse — “Transient” (31 Mar 2011)
- Chantal Faust and Paul Knight — “I'll sit slightly behind you” (3 Mar 2011)
- Gemma Anderson — “Portraits: Patients and Psychiatrists” (12 Nov 2010)
- Stephanie Kingston — “Sydney Road” (7 Oct 2010)
- Janne Malmros — “Black-veined White” (3 Sep 2010)
- David Blandy, Harold Offeh and Jan Hendrickse — “Contort Yourself” (4 Jun 2010)
- Michelle Ussher — “An Elaborate Fiction” (21 May 2010)
- Christian Quesnel — “Hearts of Clay (Coeurs d'Argile)” (4 Dec 2009)
- Margarida Gouveia, Tina Isabella Hild & Martin Karlsson — “Chance Meeting on a Drawing Table of a Zebra and a Meteorite” (2 Oct 2009)
- Revati Mann — “Re :ri: rm: hm: ha: h:i ho: hum:” (11 Sep 2009)
- Howard Dyke — “Dance of the Techno Polar Bear” (5 Jun 2009)